August 3, 2007

What is the smallest space for a refracting lane and exam room?

The smallest refracting lane/exam room I've ever done was 7'-6" x
10'. I spoke to this client recently and he says it's working very
well for him. He has a small writing counter and sink to the right
of the chair and the computer with digital eye chart monitor to the
left.

This client was in a situation where he needed to fit 3 exam rooms
into the space that originally held 2 exam rooms. The narrow width
of the room actually works to his advantage because it only takes a
short roll on the stool between computer and writing counter.
Believe it or not, he even has a guest chair in there!

I've seen people make exam rooms as narrow as 6'-6" work but only
when the phoropter is wall-mounted. Most folks find that 8' x 12'
is a comfortable size for an exam room. However, it is possible to
work in a smaller space if you have to.

August 2, 2007

Printemps












































The elegant Paris department store, makes it's home
in this massive architectural wonder. I always enjoy shopping the
high end department stores in New York, like Bloomingdales, Barneys
and Saks Fifth Avenue, but I'll never be able to look at them in
quite the same way now that I've see Printemps.

The spectacular glass dome is the centerpiece and heart of the
store. Three tiers of exquisitely detailed balconies rise from the
main floor to ring the domed atrium. My hat is off to the Printemps
store design team. They have preserved the original architecture,
but added modern lighting in a way that enhances the grand style of
this building.

The different colors behind the railings are a high-tech addition
that you'll see in more and more new stores here in the states.
This LED (Light Emitting Diode) technology is harnessed and
programmed by computer to change color throughout the day.

LED''s are energy efficient and run cool, unlike halogen or
incandescent lights. The initial cost of LED lighting is higher,
but the light source runs for thousands and thousands of hours
(could be 10 years or more!) before you ever have to service the
fixture. Studies show that the average utility cost is much lower
over the life of the fixture.

The cost of these systems is still prohibitive for smaller
retailers, but like all technology today, the cost comes down as
each new generation of the product is created. I predict that it
won't be long before color-change lighting systems will fit into
the construction budget for O.D.'s who want to attract high-end
business.

Here in the USA we have fewer opportunities to find spaces with
beautiful architectural detailing like this for an optometry
office. However, we can be inspired by these ideas and adapt them
to add a touch of high-tech wonder to new designs.

August 1, 2007

The Happy at Work Manifesto By Alexander Kjerulf

Much of what happens to us in life is beyond our control, but
Kjerulf tells us that being happy at work is a choice. His message
is simple, yet inspiring: When you decide to take steps toward
being happy, you can be.

http://changethis.com/36.04.HappyatWork

http://changethis.com/pdf/36.04.HappyatWork.pdf

July 3, 2007

A Most Unusual Display

As I was going through all my retail display photos from Italy, this one stood out from the crowd. It definitely caught my eye as I was walking along the street. Is it a shopper-stopper? Yes. Is it innovative? Yes. Is it effective? Maybe. Does it help to sell frames? Maybe.

I think it works better with sunglasses. The dark lenses give them more mass so they stand out from the display. The other frames get lost in all the twists and turns of the metal rods.

What is your opinion?

July 1, 2007

Fed Up With Spam? This can help!


Are you as frustrated as I am with Spam? This week I got an apologetic message from a client who was thoroughly embarrased by a spammer who stole his e-mail address. This creep sent everyone in this doc's e-mail address book a solicitation for porn, complete with a smutty photo! And somehow it was sent from the doctor's e-mail server so his address was in the "From" field. How horrible!

Luckily I hadn't checked my e-mail account that morning, so when I did I recognized the spam and trashed it. In the last few weeks not just one, but TWO of my e-mail addresses have been hi-jacked by spammers. One of them was a new address I had just set up! I hadn't even used it yet and in just 3 days I received 185 spams!

I thought using a contact form on my website would be a safe way for people to send me an e-mail without exposing my e-mail address to spam-bots that crawl around websites harvesting addresses. Boy, was I wrong!

I called my webmaster because I thought there might be some security breech on his servers. He explained to me that some spammers now have automated programs that will take your domain name and try dozens of name and initial combinations derived from the domain name when your real name appears in it. Sometimes they stumble on an address that works!

So, what can you do about spam? My webmaster recommended this book to me and it delivers good value at very reasonable $9.95. We've added the recommended security measures to my contact form and I now have a strategy for setting up hard-to-guess and "disposable" e-mail addresses.

World's Narrowest Optometry Office



















This little shop made me shake my head in wonder when I happened upon it in Florence, Italy. I thought I had designed a few incredibly narrow spaces in my time, but this one has me beat. It couldn't be more than 8 to 10 feet wide!

It must be an optometrist's office because you can see the equipment in the back room. The marble floor looks like it might be centuries old. But then EVERYBODY in Italy has marble floors!

The displays are nice–simple openings no more than 12" deep with beautiful wood frames, some with sliding glass doors for security. The "trade-show" style halogen lights are also a pleasing design element as they march down to the back of the office.

The two-tone wood reception counter is good-looking. The display on the back wall is brightly-lit, which helps draw your eye to it.

I can't help but wonder why they didn't switch the positions of the display and the door to the exam room. Where does your eye go when you look in this door? Straight back to the exam room! If the display was in that position, you'd be looking at frames instead of equipment.

This is a good example of designing almost everything well in a very difficult space, but missing the boat on the back wall design. I hope you never have to deal with a space this narrow for a new office, but this is proof that it can be done.

June 4, 2007

An Architect Confesses!

You have probably read my views on the trouble with architects. (See Disasters article.) They tend to make their design more important than the merchandise.

Now here's confirmation in print from an architect who agrees with me and has seen the light.

The following is an excerpt from the May 2007 issue of Visual Merchandising & Store Design magazine featuring an interview with David Kepron. He is a principal at the Philadelphia based architecture firm, SPG3. Kepron earned his architecture degrees from McGill University in Montreal and is an active member of the American Institute of Architects.

What has been your biggest challenge as a designer?

"Early on, it was understanding that store design wasn't all about me, the design and the architecture. I had to learn to let go of a series of messages learned in college that, as an architect, I should be saving the world from itself. I've learned to see the customer, the merchandise and the brand as the stars and that the things I design play a supporting role in their show."

How do you measure the success of a store design?

"When walking in the store, if the customer can understand the product assortment, navigate the space with ease and have the brand environment resonate in a corporeal way, while the cash register rings constantly, then you've got success."

Kudos to Mr. Kepron. I'm thrilled to see that there are some architects out there who do understand what their role should be in retail design.